000			01732cam a2200193 i 4500
999			_c38492 _d38492
008			210204s2022 nyua b 001 0 eng
020			_a9780367500474
245	0	0	_aDisability and art history from antiquity to the twenty-first century / _cedited by Ann Millett-Gallant and Elizabeth Howie.
260			_aNew York _bRoutledge _c2020
300			_axxi, 274p. : _billu ; _einclude index
520			_a"This volume analyzes representations of disability in art from antiquity to the twenty-first century, incorporating disability studies scholarship and art historical research and methodology. This book brings these two strands together to provide a comprehensive overview of the intersections between these two disciplines. Divided into four parts: Ancient History through the 17th Century: Gods, Dwarfs, and Warriors 17th-Century Spain to the American Civil War: Misfits, Wounded Bodies, and Medical Specimens Modernism, Metaphor and Corporeality Contemporary Art: Crips, Care, and Portraiture and comprised of 16 chapters focusing on Greek sculpture, ancient Chinese art, Early Italian Renaissance art, the Spanish Golden Age, nineteenth century art in France (Manet, Toulouse-Lautrec) and the US, and contemporary works, it contextualizes understandings of disability historically, as well as in terms of medicine, literature, and visual culture. This book is required reading for scholars and students of disability studies, art history, sociology, medical humanities and media arts"--
650		0	_aPeople with disabilities in art.
650		0	_aArt and society.
650		0	_aSociology of disability.
700	1		_aMillett-Gallant, Ann,
700	1		_aHowie, Elizabeth,
942			_cBK
050	0	0	_aN8236.P4 _bD573 2022